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Eric D. Goodman: Short Stories Take Skill and Work

ERIC D. GOODMAN ON THE SHORT STORY

When I began fiction writing, I used to think the smart thing to do was to tackle the novel straight away. I knew (although I wasn’t exactly right) that a novel could get a power agent and a big-time publisher and transform a writer into a career novelist overnight. But a funny thing happened. My novels weren’t getting read.

I think writing short stories forces a writer to do more with fewer words. That condensed writing later serves an author working on larger works as well. With a short story, you have to do all the same work—create believable characters and a plot and story arc—but you have to do it in a short number of pages. That takes skill and work.

Short stories force a writer to do more with fewer words.

The other upside of writing short stories is that, although you may be paid in mere pennies or pages, getting published in literary journals gives you bonus points when approaching an agent or publisher with a book. I noticed more agents and publishers read my submissions (based on the feedback I received) after I had published some short stories in reputable journals. And I believe that helped me land my most excellent agent and publisher.

 


Eric D. Goodman writes stories, novels, and novels-in-stories. His stories can be found in the pages of The Baltimore Review, The Pedestal, The Potomac, JMWW, Slow Trains, Arabesques Review, Smile Hon You’re In Baltimore, Four Cornered Universe, and New Lines from the Old Line State: An Anthology of Maryland Writers. His novel-in-stories, Tracks, was published by Atticus Books. His novel, Womb, is currently with his literary agent.

 

 

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About Eric D. Goodman

Eric D. Goodman is a full-time writer and editor who loves travel almost as much as he loves reading Steinbeck. His novel in stories, Tracks, was published by Atticus Books (Summer 2011) and won the 2012 Gold Medal for Best Fiction in the Mid-Atlantic Region from the Independent Publishers Book Awards. It follows a passenger train full of travelers who touch one another in unexpected ways. He’s also the author of Flightless Goose, a storybook for children. Eric's work has appeared in The Baltimore Review, Pedestal Magazine, Writers Weekly, The Potomac, Barrelhouse, JMWW, Scribble, Slow Trains, and New Lines from the Old Line State: An Anthology of Maryland Writers, among others. His second novel, Womb, is currently with his agent. Visit Eric on Facebook, Twitter, at his literary blog, Writeful, or at his website.

1 Awesome Comments So Far

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  1. Mike Maggio
    May 3, 2012 at 5:31 am #

    Well said and oh so true. The short story, taking so much less time to write than a novel, also offers quicker satisfaction. Enjoyed your post.